Gaucho García – The Art of Asado

Last month I had the pleasure of photographing this cool new Argentinian BBQ design for a new client, Gaucho Garcia.  We spent a day capturing studio shots (I set up a portable on-location studio with a backdrop and lighting), and later that afternoon we set up an outdoor BBQ scene.  
Their new site is up with my all images (including the animation of the grill rolling up), and they’ve launched a Kickstarter campaign as well (accessible through GauchoGarcía.com).  
 

Check ’em out- the BBQ is amazing, the design is slick, the fundraising project looks cool, and the people are passionate and dedicated to the project: http://gauchogarcia.com/

All images © Sean Arbabi | seanarbabi.com (all rights reserved worldwide)

Photo of the Week

I’m starting a “Photo of the Week” section of my blog, to display an image, describe how I shot it, and what my thought process start to finish – here’s my first:


USA: Nevada: Clark County: Las Vegas: Visitors watch the amazing Bellagio water show at night along Las Vegas Boulevard

This image was part of a week-long assignment to capture Las Vegas for a photo essay for Endless Vacation magazine.  I prepared the job by contacting dozens of casinos and resorts, acquiring permission to photograph on various properties, submitting my million dollar liability insurance (which is required for many different types of photo shoots, especially resorts, casinos, and large corporations), then driving from the San Francisco Bay Area to Las Vegas (just to lug more gear without the airport hassle since I was on my own for the week).

This evening I went out with my Fuji 680 III camera, a bulky medium format beast that I love, with a large tripod and walked along the Strip.  I shot many angles of the Bellagio water show but this one was one of my favorites.  The first thought I had while finding a spot to shoot was incorporating all the elements of the show- the water, the glow at night, Bellagio Hotel and Casino, and the visitors gathering around to watch it.  I backlit the entire scene using the tree to help frame my composition hoping it would be outlined by some of the high shooting water.  I metered the front facade of the building to get a reference, took other meter readings around the scene, and used my best guestimate for the shot (shooting film, I wouldn’t see my results until a week later). The lights on the tree and the nice spacing of the people was a nice small addition.

Once I received my film and picked the top selects, I scanned them in with my Nikon CoolScan 8000 (not available anymore- today Nikon makes the CoolScan 9000, they turned digital in a 300MB file, and a tiny bit more detail was pulled out to stretch the contrast ratio to fit what I saw – for the most part, 99% of what you see is in the film.

My editors thankfully loved the shots I captured that week.  It ran as a cover story and feature spread, and some of the work now rests in my files as well as my stock agency’s files.  I’ll be back in Vegas in March to capture new images of the ever-changing resort city.

When it comes to digital photography, exposure, technical details, and photographer theories, many feel you simply can’t lose your highlights in the shot – you can’t cut them off on your histogram, have ‘blinkies’ (showing you in your digital image where the detail is lost) etc, etc.  I don’t necessarily believe for all instances.  To me, photography is also about capturing mood, a feel, a glow, a moment, the heart of something – that’s when technical aspects are important but throw out a bit- it’s about the final image.

Photo of the Week

I’m starting a “Photo of the Week” section of my blog, to display an image, describe how I shot it, and what my thought process start to finish – here’s my first:


USA: Nevada: Clark County: Las Vegas: Visitors watch the amazing Bellagio water show at night along Las Vegas Boulevard

This image was part of a week-long assignment to capture Las Vegas for a photo essay for Endless Vacation magazine.  I prepared the job by contacting dozens of casinos and resorts, acquiring permission to photograph on various properties, submitting my million dollar liability insurance (which is required for many different types of photo shoots, especially resorts, casinos, and large corporations), then driving from the San Francisco Bay Area to Las Vegas (just to lug more gear without the airport hassle since I was on my own for the week).

This evening I went out with my Fuji 680 III camera, a bulky medium format beast that I love, with a large tripod and walked along the Strip.  I shot many angles of the Bellagio water show but this one was one of my favorites.  The first thought I had while finding a spot to shoot was incorporating all the elements of the show- the water, the glow at night, Bellagio Hotel and Casino, and the visitors gathering around to watch it.  I backlit the entire scene using the tree to help frame my composition hoping it would be outlined by some of the high shooting water.  I metered the front facade of the building to get a reference, took other meter readings around the scene, and used my best guestimate for the shot (shooting film, I wouldn’t see my results until a week later). The lights on the tree and the nice spacing of the people was a nice small addition.

Once I received my film and picked the top selects, I scanned them in with my Nikon CoolScan 8000 (not available anymore- today Nikon makes the CoolScan 9000, they turned digital in a 300MB file, and a tiny bit more detail was pulled out to stretch the contrast ratio to fit what I saw – for the most part, 99% of what you see is in the film.

My editors thankfully loved the shots I captured that week.  It ran as a cover story and feature spread, and some of the work now rests in my files as well as my stock agency’s files.  I’ll be back in Vegas in March to capture new images of the ever-changing resort city.

When it comes to digital photography, exposure, technical details, and photographer theories, many feel you simply can’t lose your highlights in the shot – you can’t cut them off on your histogram, have ‘blinkies’ (showing you in your digital image where the detail is lost) etc, etc.  I don’t necessarily believe for all instances.  To me, photography is also about capturing mood, a feel, a glow, a moment, the heart of something – that’s when technical aspects are important but throw out a bit- it’s about the final image.

Bay Nature magazine

Check out one of my most recent magazine covers on Bay Nature magazine, shot on Angel Island State Park in the middle of the San Francisco Bay Area here in Northern California. It’s a beautiful small island with wonderful views of San Francisco, Alcatraz, the Golden Gate, the East Bay as well as the Bay Bridge. There are wonderful hiking trails around the island and you can best access it from Tiburon (a beautiful town 45 minutes north of San Francisco, near Sausalito).

If you’re interested in the magazine, here’s their site: http://www.baynature.com/
And if you want to learn more about the park: Angel Island State Park

rock on homies

Bay Nature magazine

Check out one of my most recent magazine covers on Bay Nature magazine, shot on Angel Island State Park in the middle of the San Francisco Bay Area here in Northern California. It’s a beautiful small island with wonderful views of San Francisco, Alcatraz, the Golden Gate, the East Bay as well as the Bay Bridge. There are wonderful hiking trails around the island and you can best access it from Tiburon (a beautiful town 45 minutes north of San Francisco, near Sausalito).

If you’re interested in the magazine, here’s their site: http://www.baynature.com/
And if you want to learn more about the park: Angel Island State Park

rock on homies

Bay Nature magazine

Check out one of my most recent magazine covers on Bay Nature magazine, shot on Angel Island State Park in the middle of the San Francisco Bay Area here in Northern California. It’s a beautiful small island with wonderful views of San Francisco, Alcatraz, the Golden Gate, the East Bay as well as the Bay Bridge. There are wonderful hiking trails around the island and you can best access it from Tiburon (a beautiful town 45 minutes north of San Francisco, near Sausalito).

If you’re interested in the magazine, here’s their site: http://www.baynature.com/
And if you want to learn more about the park: Angel Island State Park

rock on homies

Bay Nature magazine

Check out one of my most recent magazine covers on Bay Nature magazine, shot on Angel Island State Park in the middle of the San Francisco Bay Area here in Northern California. It’s a beautiful small island with wonderful views of San Francisco, Alcatraz, the Golden Gate, the East Bay as well as the Bay Bridge. There are wonderful hiking trails around the island and you can best access it from Tiburon (a beautiful town 45 minutes north of San Francisco, near Sausalito).

If you’re interested in the magazine, here’s their site: http://www.baynature.com/
And if you want to learn more about the park: Angel Island State Park

rock on homies

My work in an Italian art mag


FeFe, an Italian art publication, ran a few of my images for their issue themed “If you don’t play, you can’t go home” – a mix of my work from the California coast to the Florida Keys, southern Utah to western Wyoming.  


To date, my images have run in many countries, on all continents around the globe – with the exception for Antarctica- some day I hope to land the cover of “Freezing to Death” magazine or at least have a fine art print hung in the Port Lockroy Museum on the Antarctic Peninsula.

🙂

My work in an Italian art mag


FeFe, an Italian art publication, ran a few of my images for their issue themed “If you don’t play, you can’t go home” – a mix of my work from the California coast to the Florida Keys, southern Utah to western Wyoming.  


To date, my images have run in many countries, on all continents around the globe – with the exception for Antarctica- some day I hope to land the cover of “Freezing to Death” magazine or at least have a fine art print hung in the Port Lockroy Museum on the Antarctic Peninsula.

🙂

My work in an Italian art mag


FeFe, an Italian art publication, ran a few of my images for their issue themed “If you don’t play, you can’t go home” – a mix of my work from the California coast to the Florida Keys, southern Utah to western Wyoming.  


To date, my images have run in many countries, on all continents around the globe – with the exception for Antarctica- some day I hope to land the cover of “Freezing to Death” magazine or at least have a fine art print hung in the Port Lockroy Museum on the Antarctic Peninsula.

🙂