Join me on a nature shoot- December in the Sierras

For anyone interested, I’m planning to capture winter scenes in Yosemite National Park, the Alabama Hills (outside of Lone Pine) and in Death Valley sometime in December – creating new images and research for a few upcoming books and workshops.

If you are interested in joining me for three days of shooting, sunrises and sunsets, for a small fee ($250/person – 10 person limit) contact me via email.

This isn’t a planned event or workshop with a specific agenda. I’ll simply share my thoughts on photographing the outdoors while we shoot, talk about equipment tips, and so on. We’ll capture images together, you can watch how I work if you wish, see the gear I carry, and talk all about photography. I’ll also sign my Exposure book (if you bought one of my books, bring it along & I’ll sign it- and I’ll have copies with me).

We’ll have a great time in some beautiful locations.

This is something I did last January. I invited a group to join me in Yosemite to photograph for a day while I captured images for my new book on nature photography. They paid a $100 fee to join me that day, I had eight people, and they all loved the experience (thankfully)- said it was well worth it. I shared a ton on photography, but it’s a bit different since I’m shooting images (instead of a workshop where I would focus more on students and their equipment and needs).

So here’s the plan this time around. I envisioned a 3-day road trip photo shoot – first in Yosemite, then off to Lone Pine (Alabama Hills), then finally in Death Valley – one day in each (and some travel of course between locations). We could all shoot together and learn from me, just as long as the group knows I’ll be shooting as well most of the time (I reiterate this only because some think I’m solely there for them). It’s actually a great way to learn, and a way preferred by many, but again different from my normal workshops.

SCHEDULE (somewhat flexible depending on weather & how tired we all might be)

Day 1: We’d meet in Yosemite on the first day at sunrise, shoot all day ’til sunset, have dinner together & spend the night, then head off to Lone Pine (probably the next morning).

Day 2: Shoot sunrise again, drive to Lone Pine/ Alabama Hills, shoot sunset in Lone Pine/ Alabama Hills, spend the night.

Day 3: Shoot sunrise in Lone Pine/ Alabama Hills, then head off to Death Valley, shoot sunset

Day 4: Shoot sunrise, drive home

COST:
$250 per person (not including travel/ gas/ food/ car, etc) and I’d need a group of at least eight, ideally ten.

DATES:
Haven’t decided on specific dates yet, but thinking sometime around December 15th. I’m flexible – if dates worked for the majority of the group, then I’d try to work around that.

If you’re interested, contact me at:

Thank you and Happy early Thanksgiving!
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Books in the works….

The past few months I’ve been working on my second book – due out in the summer/fall of 2011, it will be based on nature photography- one of my first photographic loves. I thoroughly enjoy the process of writing a book because it brings out so much of what you do subconsciously, and reminds you of the many steps you take to capture a great photo.

I’ve also had the chance to capture new images without the limitations of a specific assignment- something I haven’t done much of for years.

Another book is also in the works, completely different from anything I’ve done so far- I’ll share more as it develops.

So over the next month or so, I may be absent on the blogasphere, but check me out on my Facebook fan page, where I try to pop in a number of times a week: http://www.facebook.com/pages/Arbabi-Imagery-Sean-Arbabi-photography/122003760806

I’m a Flickr nut too: http://www.flickr.com/photos/arbabi/

During the summer I’ll run a few workshops in the Bay Area and a few online (in between assignments), while planning a very exciting one I hope to make happen during the fall. Then in 2011, I may have an international workshop is an amazing location- more info to come.

Even with all of this activity, I continue to push forth my tv show on photography with my partner – we passionately believe in the project and hope to find a champion for it. More promotion as well as another tv spot also in the works.

Last bit a news- I was stoked to see my first book, The BetterPhoto Guide to Exposure, hit #10 on Amazon’s Photo How-to section today- it continues to sell well, get great reviews, and I have signed copies available for anyone interested- check it out on Amazon: http://www.amazon.com/dp/0817435549

Or on my site (with links to bookstores around the world): http://www.seanarbabi.com/book_exposure.html

Thanks for lettin’ me spread the news & promote- when you put your blood, sweat, and tears into projects, half of the excitement is sharing it with others.

Discounts on photo gear, free shipping, and more

When you follow my blog, take a workshop, buy my book and write a positive review on Amazon, you get perks- that’s right, I throw DOWN for my students and fans! 🙂


FREE SHIPPING:

Ordering photo gear and want free shipping? Go to Hunt’s Photo and Video and when you add an item to your cart, at checkout type in “SArbabi” to the coupon field – that equals free shipping!

http://www.huntsphotoandvideo.com


FREE GIFT WHEN YOU BUY A CAMERA BAG/ CASE:

Go to Think Tank Photo and use this link below:

http://www.thinktankphoto.com/affiliates.aspx?code=WS-142

When you do, if you buy a camera bag/case over $50, you get a choice of one free item valued around $20-30 (three to choose from). Great cases- I have four of them and love ’em- best camera bags made out there.


10% OFF OF FILTERS:

I’ve used Singh-Ray filters for years, starting with the Galen Rowell grad ND filters. If you want 10% off of your next photo filter order, go to http://singh-ray.com/ and tell ’em I sent you- you’ll get 10% off of your order.


$20 OFF OF YOUR NEXT ONLINE WORKSHOP:

I teach online workshops with BetterPhoto.com – the past three years to students in 30 counties and 43 US States – come and take a course online, on exposure (my course) or many others including photoshop, composition, lighting, and more- tell ’em I sent you and you’ll get $20 off of your next course: http://www.betterphoto.com/courseOverview.asp?cspID=144


ALL OTHER CAMERA COMPANIES / STORES / MANUFACTURERS:

If you read about them here, and I recommended them, tell ’em I sent you (Sean Arbabi – The Photoguru) and you just might get free shipping or a discount. More discounts to come in the near future!

Discounts on photo gear, free shipping, and more

When you follow my blog, take a workshop, buy my book and write a positive review on Amazon, you get perks- that’s right, I throw DOWN for my students and fans! 🙂


FREE SHIPPING on HOODMAN LOUPES:

Ordering a Hoodman loupe and want free shipping? Go to Hunt’s Photo and Video and when you add the loupe to your cart, at checkout type in “SArbabi” to the coupon field – that equals free shipping!

http://www.huntsphotoandvideo.com


FREE GIFT WHEN YOU BUY A CAMERA BAG/ CASE:

Go to Think Tank Photo and use this link below:

http://www.thinktankphoto.com/affiliates.aspx?code=WS-142

When you do, if you buy a camera bag/case over $50, you get a choice of one free item valued around $20-30 (three to choose from). Great cases- I have four of them and love ’em- best camera bags made out there.


$20 OFF OF YOUR NEXT ONLINE WORKSHOP:

I teach online workshops with BetterPhoto.com – the past three years to students in 30 counties and 43 US States – come and take a course online, on exposure (my course) or many others including photoshop, composition, lighting, and more- tell ’em I sent you and you’ll get $20 off of your next course: http://www.betterphoto.com/courseOverview.asp?cspID=144


ALL OTHER CAMERA COMPANIES / STORES / MANUFACTURERS:

If you read about them here, and I recommended them, tell ’em I sent you (Sean Arbabi – The Photoguru) and you just might get free shipping or a discount. More discounts to come in the near future!

Time flies & love blooms when you haven’t blogged


Seconds turned into days turned into weeks- I haven’t blogged for almost a month- crazy.


The past month I shot a few assignments (built an on-location studio for a company in the North Bay of the San Francisco Bay Area, capturing 40 food & wine displays), taught an exposure course with a book signing at Book Passage in Corte Madera (a great bookstore in the Marin/ Mill Valley area), licensed some images to a few magazines and clients (a nice double-page spread of a Half Dome image which you’ll see in a few months), worked on two new books which I’m very excited about (out in 2010-2011), and sold five 30×50 prints to recruiting company. All while my girls started school- a busy August.

But what I wanted to write about was something I found out while lecturing at Book Passage. Two past workshop students came to take the class, told me they met at my weekend workshop two years earlier at Pt Reyes, and ended up falling in love- now married- they said, I could add ‘match-maker’ to my list of accomplishments. I was tickled pink (when was the last time you heard that term?!). Actually, it really was a cool thing to hear. As we all go through our daily grinds, move through our busy lives, setting up events, meetings, goals, we rarely consider how it might affect other lives.

When I plan my workshop presentations, I think of all the experience and knowledge I’ve gained through my 19-year career, and how I can add specific images and information into my lectures and field notes to help photographic enthusiasts improve their skills – to help them learn how to communicate with their cameras better. But I don’t think I ever imagined two people meeting at one of my events and deciding to spend the rest of their lives together. It doesn’t seem far fetched, but I just never thought of it.

So here’s to photography bringing more love to the world – in the day and age of glorifying ridiculous rude behavior on tv, where wars continue to tear lives apart, where corporate greed runs rampant, and where a wealthy country like the US can’t find a way to take care of its own, I seems like we could use a bit more love.

eHarmony, eat your heart out.

Time flies & love blooms when you haven’t blogged


Seconds turned into days turned into weeks- I haven’t blogged for almost a month- crazy.


The past month I shot a few assignments (built an on-location studio for a company in the North Bay of the San Francisco Bay Area, capturing 40 food & wine displays), taught an exposure course with a book signing at Book Passage in Corte Madera (a great bookstore in the Marin/ Mill Valley area), licensed some images to a few magazines and clients (a nice double-page spread of a Half Dome image which you’ll see in a few months), worked on two new books which I’m very excited about (out in 2010-2011), and sold five 30×50 prints to recruiting company. All while my girls started school- a busy August.

But what I wanted to write about was something I found out while lecturing at Book Passage. Two past workshop students came to take the class, told me they met at my weekend workshop two years earlier at Pt Reyes, and ended up falling in love- now married- they said, I could add ‘match-maker’ to my list of accomplishments. I was tickled pink (when was the last time you heard that term?!). Actually, it really was a cool thing to hear. As we all go through our daily grinds, move through our busy lives, setting up events, meetings, goals, we rarely consider how it might affect other lives.

When I plan my workshop presentations, I think of all the experience and knowledge I’ve gained through my 19-year career, and how I can add specific images and information into my lectures and field notes to help photographic enthusiasts improve their skills – to help them learn how to communicate with their cameras better. But I don’t think I ever imagined two people meeting at one of my events and deciding to spend the rest of their lives together. It doesn’t seem far fetched, but I just never thought of it.

So here’s to photography bringing more love to the world – in the day and age of glorifying ridiculous rude behavior on tv, where wars continue to tear lives apart, where corporate greed runs rampant, and where a wealthy country like the US can’t find a way to take care of its own, I seems like we could use a bit more love.

eHarmony, eat your heart out.

Want to become a pro photographer?


I want to have a career as a professional photographer.

I hear this from so many people whether through email, at live lectures and events, or from my students at various workshops. But I must admit, in all, it’s a very tough competitive industry where the money is even harder to come by than it was 20 years ago-not to mention the oversaturation of the stock licensing market – can something be oversaturated? Is that an oxymoron? Can’t find it in my dictionary. I digress.


Back to the industry, from 1991 (when I graduated college) to today, the changes have been dramatic, some positive, some negative (I remember when my stock agency contract went from 7 pages to 27 pages in a matter of 6 years). As always, you must have so much more than a good portfolio to make it- and no one or company will do it for you- you have to do it all yourself. It ain’t easy, and sacrifices, luck, hearing “no” over and over, as well as risk are all part of the game. But more importantly, you need to be professional- and that means learning business (more an that later).

In 1995, I used the first digital SLR Nikon put out, the E2s, and could see the changes coming down the pike (there I am at the Eco-Challenge adventure race in ’95 using the camera above the Colorado River). And although some say digital has been a big positive to the industry (exact copies of image files instead of poor-quality dupes, fixing mistakes post-capture, and the famous cloning tool to add that third eye to your friend’s head), I would say that it too has it’s pros and cons – one of which being the fact that you have to buy new gear all the time, new software, and new computers- it’s an expense, not an investment everyone.

Plus, I carry more gear than ever these days in the post 9/11 hell that is airport travel – ugh- someone buy me a new shoulder and a couple of knees please – and a whiffle-ball bat to beat on the seven TSA agents when they decide to test every roll of film – all 150 rolls at midnight (true story in Las Vegas in 2004 after catchin’ six other flights where they didn’t do this).

I was asked recently what it is to be a professional photographer. If it was someone who made over 50% of their income from photography, or just someone who gets published from time to time. As a full-time commercial travel photographer for 19 years, I’d say a pro photographer is someone who not only makes a living from photography, but one who charges appropriate fees, is technically sound with their equipment and craft, respectful and professional with his/her subjects, and one who uses proper business practices. That, to me, is what this job is about.


Another example of this is learning the art of negotiating, and realizing that if you want to do this for a living, you have to go back and forth with clients about contracts, rates, and rights. I recently had a client want to license an image, trying to pay rates half of what we normally charge (rates that really fit into 1989 and not 2009). We respectfully declined when they said they wouldn’t pay higher fees than theirs- the excuse was the economy (as if to say my business is not affected by the economy – I love that new argument – “our tight budget” has always been a staple for low rates). The following day the client came back and licensed rights to the image at our quoted rate. If photographers don’t learn how to value their image and determine specific fees for their services, they won’t survive in the industry.

More to learn more? My Business of Photography workshop isn’t scheduled yet for 2009, but does run from time to time, and we hope to have a date in place soon. I also offer personal consultations where I can focus on your goals and interests, as well as discussing specific industry information. I can discuss some aspects of being a pro at other workshops (such as the one coming up in June in Seattle, or Santa Fe in July), although my time during these courses is usually dedicated to the topic at hand. Here’s our main workshop page for more info.

In all, becoming a pro photographer is possible. Here’s to your dreams and ambitions- make ’em happen, it’s worth it. Enjoy your week everyone!

Want to become a pro photographer?


I want to have a career as a professional photographer.

I hear this from so many people whether through email, at live lectures and events, or from my students at various workshops. But I must admit, in all, it’s a very tough competitive industry where the money is even harder to come by than it was 20 years ago-not to mention the oversaturation of the stock licensing market – can something be oversaturated? Is that an oxymoron? Can’t find it in my dictionary. I digress.


Back to the industry, from 1991 (when I graduated college) to today, the changes have been dramatic, some positive, some negative (I remember when my stock agency contract went from 7 pages to 27 pages in a matter of 6 years). As always, you must have so much more than a good portfolio to make it- and no one or company will do it for you- you have to do it all yourself. It ain’t easy, and sacrifices, luck, hearing “no” over and over, as well as risk are all part of the game. But more importantly, you need to be professional- and that means learning business (more an that later).

In 1995, I used the first digital SLR Nikon put out, the E2s, and could see the changes coming down the pike (there I am at the Eco-Challenge adventure race in ’95 using the camera above the Colorado River). And although some say digital has been a big positive to the industry (exact copies of image files instead of poor-quality dupes, fixing mistakes post-capture, and the famous cloning tool to add that third eye to your friend’s head), I would say that it too has it’s pros and cons – one of which being the fact that you have to buy new gear all the time, new software, and new computers- it’s an expense, not an investment everyone.

Plus, I carry more gear than ever these days in the post 9/11 hell that is airport travel – ugh- someone buy me a new shoulder and a couple of knees please – and a whiffle-ball bat to beat on the seven TSA agents when they decide to test every roll of film – all 150 rolls at midnight (true story in Las Vegas in 2004 after catchin’ six other flights where they didn’t do this).

I was asked recently what it is to be a professional photographer. If it was someone who made over 50% of their income from photography, or just someone who gets published from time to time. As a full-time commercial travel photographer for 19 years, I’d say a pro photographer is someone who not only makes a living from photography, but one who charges appropriate fees, is technically sound with their equipment and craft, respectful and professional with his/her subjects, and one who uses proper business practices. That, to me, is what this job is about.


Another example of this is learning the art of negotiating, and realizing that if you want to do this for a living, you have to go back and forth with clients about contracts, rates, and rights. I recently had a client want to license an image, trying to pay rates half of what we normally charge (rates that really fit into 1989 and not 2009). We respectfully declined when they said they wouldn’t pay higher fees than theirs- the excuse was the economy (as if to say my business is not affected by the economy – I love that new argument – “our tight budget” has always been a staple for low rates). The following day the client came back and licensed rights to the image at our quoted rate. If photographers don’t learn how to value their image and determine specific fees for their services, they won’t survive in the industry.

More to learn more? My Business of Photography workshop isn’t scheduled yet for 2009, but does run from time to time, and we hope to have a date in place soon. I also offer personal consultations where I can focus on your goals and interests, as well as discussing specific industry information. I can discuss some aspects of being a pro at other workshops (such as the one coming up in June in Seattle, or Santa Fe in July), although my time during these courses is usually dedicated to the topic at hand. Here’s our main workshop page for more info.

In all, becoming a pro photographer is possible. Here’s to your dreams and ambitions- make ’em happen, it’s worth it. Enjoy your week everyone!

Want to become a pro photographer?


I want to have a career as a professional photographer.

I hear this from so many people whether through email, at live lectures and events, or from my students at various workshops. But I must admit, in all, it’s a very tough competitive industry where the money is even harder to come by than it was 20 years ago-not to mention the oversaturation of the stock licensing market – can something be oversaturated? Is that an oxymoron? Can’t find it in my dictionary. I digress.


Back to the industry, from 1991 (when I graduated college) to today, the changes have been dramatic, some positive, some negative (I remember when my stock agency contract went from 7 pages to 27 pages in a matter of 6 years). As always, you must have so much more than a good portfolio to make it- and no one or company will do it for you- you have to do it all yourself. It ain’t easy, and sacrifices, luck, hearing “no” over and over, as well as risk are all part of the game. But more importantly, you need to be professional- and that means learning business (more an that later).

In 1995, I used the first digital SLR Nikon put out, the E2s, and could see the changes coming down the pike (there I am at the Eco-Challenge adventure race in ’95 using the camera above the Colorado River). And although some say digital has been a big positive to the industry (exact copies of image files instead of poor-quality dupes, fixing mistakes post-capture, and the famous cloning tool to add that third eye to your friend’s head), I would say that it too has it’s pros and cons – one of which being the fact that you have to buy new gear all the time, new software, and new computers- it’s an expense, not an investment everyone.

Plus, I carry more gear than ever these days in the post 9/11 hell that is airport travel – ugh- someone buy me a new shoulder and a couple of knees please – and a whiffle-ball bat to beat on the seven TSA agents when they decide to test every roll of film – all 150 rolls at midnight (true story in Las Vegas in 2004 after catchin’ six other flights where they didn’t do this).

I was asked recently what it is to be a professional photographer. If it was someone who made over 50% of their income from photography, or just someone who gets published from time to time. As a full-time commercial travel photographer for 19 years, I’d say a pro photographer is someone who not only makes a living from photography, but one who charges appropriate fees, is technically sound with their equipment and craft, respectful and professional with his/her subjects, and one who uses proper business practices. That, to me, is what this job is about.


Another example of this is learning the art of negotiating, and realizing that if you want to do this for a living, you have to go back and forth with clients about contracts, rates, and rights. I recently had a client want to license an image, trying to pay rates half of what we normally charge (rates that really fit into 1989 and not 2009). We respectfully declined when they said they wouldn’t pay higher fees than theirs- the excuse was the economy (as if to say my business is not affected by the economy – I love that new argument – “our tight budget” has always been a staple for low rates). The following day the client came back and licensed rights to the image at our quoted rate. If photographers don’t learn how to value their image and determine specific fees for their services, they won’t survive in the industry.

More to learn more? My Business of Photography workshop isn’t scheduled yet for 2009, but does run from time to time, and we hope to have a date in place soon. I also offer personal consultations where I can focus on your goals and interests, as well as discussing specific industry information. I can discuss some aspects of being a pro at other workshops (such as the one coming up in June in Seattle, or Santa Fe in July), although my time during these courses is usually dedicated to the topic at hand. Here’s our main workshop page for more info.

In all, becoming a pro photographer is possible. Here’s to your dreams and ambitions- make ’em happen, it’s worth it. Enjoy your week everyone!

Want to become a pro photographer?


I want to have a career as a professional photographer.

I hear this from so many people whether through email, at live lectures and events, or from my students at various workshops. But I must admit, in all, it’s a very tough competitive industry where the money is even harder to come by than it was 20 years ago-not to mention the oversaturation of the stock licensing market – can something be oversaturated? Is that an oxymoron? Can’t find it in my dictionary. I digress.


Back to the industry, from 1991 (when I graduated college) to today, the changes have been dramatic, some positive, some negative (I remember when my stock agency contract went from 7 pages to 27 pages in a matter of 6 years). As always, you must have so much more than a good portfolio to make it- and no one or company will do it for you- you have to do it all yourself. It ain’t easy, and sacrifices, luck, hearing “no” over and over, as well as risk are all part of the game. But more importantly, you need to be professional- and that means learning business (more an that later).

In 1995, I used the first digital SLR Nikon put out, the E2s, and could see the changes coming down the pike (there I am at the Eco-Challenge adventure race in ’95 using the camera above the Colorado River). And although some say digital has been a big positive to the industry (exact copies of image files instead of poor-quality dupes, fixing mistakes post-capture, and the famous cloning tool to add that third eye to your friend’s head), I would say that it too has it’s pros and cons – one of which being the fact that you have to buy new gear all the time, new software, and new computers- it’s an expense, not an investment everyone.

Plus, I carry more gear than ever these days in the post 9/11 hell that is airport travel – ugh- someone buy me a new shoulder and a couple of knees please – and a whiffle-ball bat to beat on the seven TSA agents when they decide to test every roll of film – all 150 rolls at midnight (true story in Las Vegas in 2004 after catchin’ six other flights where they didn’t do this).

I was asked recently what it is to be a professional photographer. If it was someone who made over 50% of their income from photography, or just someone who gets published from time to time. As a full-time commercial travel photographer for 19 years, I’d say a pro photographer is someone who not only makes a living from photography, but one who charges appropriate fees, is technically sound with their equipment and craft, respectful and professional with his/her subjects, and one who uses proper business practices. That, to me, is what this job is about.


Another example of this is learning the art of negotiating, and realizing that if you want to do this for a living, you have to go back and forth with clients about contracts, rates, and rights. I recently had a client want to license an image, trying to pay rates half of what we normally charge (rates that really fit into 1989 and not 2009). We respectfully declined when they said they wouldn’t pay higher fees than theirs- the excuse was the economy (as if to say my business is not affected by the economy – I love that new argument – “our tight budget” has always been a staple for low rates). The following day the client came back and licensed rights to the image at our quoted rate. If photographers don’t learn how to value their image and determine specific fees for their services, they won’t survive in the industry.

More to learn more? My Business of Photography workshop isn’t scheduled yet for 2009, but does run from time to time, and we hope to have a date in place soon. I also offer personal consultations where I can focus on your goals and interests, as well as discussing specific industry information. I can discuss some aspects of being a pro at other workshops (such as the one coming up in June in Seattle, or Santa Fe in July), although my time during these courses is usually dedicated to the topic at hand. Here’s our main workshop page for more info.

In all, becoming a pro photographer is possible. Here’s to your dreams and ambitions- make ’em happen, it’s worth it. Enjoy your week everyone!